Music Resources (page 2)

Chapter Three. In this final chapter we will be looking at how the theories discussed in chapters one and two can be applied to a case study of rave culture. Due to the many variat...

Drawing on these post-subcultural ideas, Sarah Thornton analysed the nature and pattern of subterranean club cultures. Heavily influenced by the work of French sociologist Pierre Bo...

Chapter Two. In this chapter we will look at theories of collective identity as opposed to individual identity, as this highlights similarity rather than difference (Jenkins, 1996,...

Introduction. Within studies of youth culture, rave is a subculture that is almost always guaranteed to form part of the discussion. With a timeline that stretches from the 1960s u...

Chapter One. In this first chapter we will be covering a broader understanding of identity, moving temporarily away from the topic of musical identity by focusing on social psychol...

Most A Level courses involve combinations of the following: history/analysis aural/ listening harmony/ composition performance. Inevitably most students will have a preference for o...

Imitation: I remember when I used to listen to BB King and Robert Cray as a teenager, I would try and mimic the guitar tones I heard, the phrasing. and I started to fit the phrases i...

Any pianist who has recorded the complete 48 Preludes & Fugues by J.s Bach deserves a medal. Whether these medals are all GOLD is not necessarily the case, however when discussing the...

M = Motif beginning with triplet upbeat to bar 1 A = Lyrical theme which can be seen in upper register, bars 1-4 B = Upper melodic line which can be seen bars 10-14 Mx = Melodic ex...

Glenn Gould is one of the figures in 20th century music who truly deserves the title of 'cult figure'. For each person who cares about his output, his message seems to have a unique r...