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Relationships in Roman society in the texts

Practise 29 exam-style questions on Relationships in Roman society in the texts for OCR GCSE Classical Civilisation (Roman City Life). Write your answer as you would in the exam and get it marked in seconds against the mark scheme, point by point, with an AI tutor on hand if you get stuck.

  • 29 questions
  • 1–15 marks each
  • Instant marking
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20 questions, marked as you go

Sample questions with model answers

Here are 4 of the questions in this topic, each with a model answer, an explanation of why it earns the marks and the mark scheme an examiner would use.

Question 1

1 mark

Which wealthy patron gave Horace his farm in the Sabine hills, for which he gives thanks in Satires 2.6?

Model answer

Maecenas.

Explanation

Maecenas, a close friend and adviser of Octavian (Augustus), was patron to several poets, including Horace and Virgil. Satire 2.6 opens with Horace's thanks for the Sabine farm - 'This is what I prayed for' - and the gift shows the material benefits a client could receive from a patron.

Mark scheme
  1. 1 mark

    Maecenas

    Accept minor misspellings. Do not accept Augustus / Octavian, Nasidienus or Cervius.

Question 2

2 marks

Source A: Juvenal, Satire 3

'Don't you see how much smoke rises from the crowd collecting their sportula? A hundred diners, each followed by his own kitchen. The great general Corbulo could hardly carry so many huge vessels, so many things piled on his head, as that poor little slave carries, keeping his head upright and fanning the fire as he runs.'

What does this passage suggest about the lives of clients and their slaves in Rome? Make two points.

Model answer

It suggests that clients depended on handouts from their patrons, with crowds of a hundred at a time collecting their sportula. It also suggests that the slaves of these clients had hard lives, since the 'poor little slave' carries a load heavier than the strong general Corbulo could manage while fanning the fire as he runs.

Explanation

The sportula was the dole given by patrons to the clients who greeted them; here it seems to be food carried home hot on portable stoves. Juvenal's comparison with Corbulo, a famously strong general, is comic exaggeration, but it reflects the dependence of poorer citizens and the burdens placed on slaves.

Mark scheme
  1. 1 mark

    Any one from: clients depend on handouts (the sportula) from their patrons / large crowds of clients compete for the dole at the same time / collecting the dole is an undignified, smoky scramble through the streets / even poor clients' slaves carry crushing loads (heavier than a famous strongman could manage) / the slave's life is hard and miserable ('poor little slave') / the streets are made more crowded and dangerous by the crowds carrying hot stoves

    Two different points, one mark each; max 2. Points should be drawn from the passage.

  2. 1 mark

    A second, different point from the list above

    Must be different from the first.

Question 3

4 marks

Source A: Horace, Satires 2.6

'Through all this time, every day and every hour, I have become more and more a target for envy. If I have watched the games with Maecenas, or played ball with him on the Campus, everyone cries, "Son of Fortune!" Whenever a chilling rumour spreads from the Rostra through the streets, anyone who meets me asks my opinion: "My good man, you must know, since you are so close to the gods - have you heard anything about the Dacians?" "Nothing at all." "You'll always be teasing us!" "May all the gods torment me if I've heard a thing!" "Well then, is Caesar going to give the soldiers their promised land in Sicily or in Italy?" When I swear I know nothing, they marvel at me as the one man of remarkable and deep silence.'

What impressions do you gain of Horace's relationship with Maecenas from this passage? Make two points.

Model answer

The relationship seems close and friendly: Horace watches the games and plays ball with Maecenas. It also brings Horace envy and unwanted attention, because people call him 'Son of Fortune!' and assume he knows state secrets, since he is 'so close to the gods' - though he insists he knows nothing and is admired for his 'deep silence'.

Explanation

'The gods' here means the powerful men around Octavian (Caesar), especially Maecenas. Horace presents the friendship modestly and with self-mockery, stressing that he is trusted only with trivial matters, while showing both the prestige and the burdens of being close to a great patron.

Mark scheme
  1. 2 marks

    First impression with supporting evidence from Source A: 1 mark for a valid impression of Horace's relationship with Maecenas, 1 mark for a relevant reference to or quotation from the passage that supports it. The evidence mark is awarded for a relevant reference or quotation even if the impression is missing, weak or wrong. The two marks are independent: award 1 for a valid point even if no evidence is given, and 1 for a relevant quotation from, reference to or close paraphrase of the source even if the point is missing, weak or wrong.

    Two pairs from, e.g.: close and friendly (1) - they watch the games and play ball together (1); it brings Horace envy (1) - 'I have become more and more a target for envy' / 'Son of Fortune!' (1); people think it gives him access to power and secrets (1) - 'you must know, since you are so close to the gods' / asked about the Dacians and the soldiers' land (1); Horace is discreet / loyal and keeps confidences (1) - he swears he knows nothing; 'the one man of remarkable and deep silence' (1); Horace plays down his importance / self-mocking (1) - he insists he knows nothing, and people take it for deep secrecy (1); it is mostly social, not political (1) - games and ball, not state business (1); it brings Horace status and attention (1) - everyone who meets him asks his opinion (1). The second pair must make a different point. Points must come from the passage.

  2. 2 marks

    Second, different impression with supporting evidence from Source A: 1 mark for a valid impression, 1 mark for a relevant reference or quotation that supports it. The two marks are independent: award 1 for a valid point even if no evidence is given, and 1 for a relevant quotation from, reference to or close paraphrase of the source even if the point is missing, weak or wrong.

    As above; must be a different impression from the first point.

Question 4

15 marks

'Masters in the prescribed texts treat their slaves cruelly.'

How far do you agree with this statement?

Model answer

Slaves appear in all the prescribed texts, usually in the background, serving, cleaning or being threatened with punishment. Some masters are openly cruel, others present themselves as kind. I will argue that the texts show cruelty as common and the threat of violence as constant, but they also present kindness as the ideal, so the statement is only partly true.

The clearest cruel master is Larcius Macedo in Pliny 3.14. Pliny calls him 'an arrogant and cruel master', and his slaves' attack - beating him in the bath and throwing him onto the scorching floor - suggests how much they hated him. In Petronius, the threat of violence is everywhere in Trimalchio's house. As the guests arrive, a slave throws himself at their feet to be saved from a flogging because the steward's clothes, worth hardly ten sesterces, were stolen from him at the baths. When the pig is served apparently ungutted, Trimalchio shouts 'Strip him!' and the cook stands miserably between two torturers, who are on hand even at a dinner party. Even Encolpius, a guest, whispers that the cook should not be forgiven. Slaves are also treated as property on a vast scale: Trimalchio has so many that not one in ten knows his master. Pliny himself, though he presents himself as kind, believes that slaves who kill do so out of 'wickedness', and approves of the hunt for Macedo's attackers.

On the other hand, several masters treat their slaves well. Pliny's Letter 5.19 shows real care for his freedman Zosimus: he praises his honesty and talents, speaks of long affection, sent him to Egypt to recover and now arranges for him to stay at Paulinus' estate at Forum Julii. He describes himself as a 'father of the household', gentle like the father in Homer. In 2.6 he treats freedmen as guests at his dinners. Horace, at his country dinners in 2.6, feeds his 'cheeky home-born slaves' with the food from his own table - a relaxed and affectionate picture. Even Trimalchio is not simply cruel: the steward lets the slave off for the guests' sake, the cook's punishment is a staged joke, and he is rewarded with a drink and a silver crown while the slaves applaud. Trimalchio, of course, is a former slave himself, whose rise from the slave market is painted on his walls.

We should also notice the authors' attitudes. Cruelty is usually criticised: Pliny condemns Macedo's arrogance, and Petronius mocks Trimalchio and Encolpius. But all the authors write from the masters' side, and the slaves never speak for themselves. Even the 'kind' masters have total power: Pliny's affection for Zosimus is linked to the 'services' he performs, and Horace's home-born slaves are still property.

Overall, I partly agree. The texts show that cruelty, flogging and fear were a normal part of slavery, and Macedo's household shows its violent results. But they also show kind masters, and they present kindness as the ideal. The real point is that masters could choose to be kind or cruel, because slaves were completely in their power.

Explanation

Top answers use a wide range of examples - Macedo, Trimalchio's cook and the slave at the door, Pliny's Zosimus, Horace's home-born slaves - and evaluate them, noticing that all the authors write from the masters' viewpoint. A one-sided list of cruel or kind masters cannot go above Level 3.

Mark scheme
  1. 15 marks

    Levels of response (15 marks). AO1 (5) knowledge and understanding; AO2 (10) analysis, evaluation and argument.
    Level 5 (13-15 marks): very good, detailed and accurate knowledge of a wide range of master-slave relationships in the prescribed texts and their context (Roman slavery, freedmen, the authors' viewpoints); very good analysis of well-selected evidence; a coherent argument with a clear line of reasoning, successful evaluation of cruelty against kindness, and a convincing, substantiated conclusion.
    Level 4 (10-12 marks): good, accurate knowledge of several texts; good analysis of a wide range of evidence; a consistently well-structured argument considering both sides and a sound conclusion.
    Level 3 (7-9 marks): reasonable, mostly accurate knowledge; reasonable analysis of a range of evidence; a relevant conclusion, though the argument may be uneven.
    Level 2 (4-6 marks): basic knowledge; some relevant evidence with limited analysis; some structure and a credible conclusion.
    Level 1 (1-3 marks): limited knowledge; little relevant evidence; weak or no conclusion.
    0 marks: no response or no response worthy of credit.
    An answer that is mostly description or narrative, or that is one-sided, cannot go above Level 3.

    Indicative content (not a checklist; credit other valid points): AO1: Pliny 3.14 - Macedo an arrogant and cruel master; his slaves' attack; the guilty slaves hunted down; Pliny's view that slaves kill out of wickedness and no master is safe. Pliny 5.19 - indulgence to his household; 'father of the household'; care for Zosimus (Egypt, Forum Julii, travel money). Pliny 2.6 - freedmen treated as guests. Petronius 30 - a slave about to be flogged for losing the steward's clothes; the steward relents for the guests' sake; 31 - slaves singing as they work; 49-50 - the cook stripped between two torturers, the guests plead, the staged trick, the cook rewarded with a drink and a silver crown; Encolpius urging punishment; 37 - so many slaves that not one in ten knows his master; Trimalchio himself a former slave (the wall paintings of his rise). Horace 2.6 - Horace feeds his cheeky home-born slaves at his country dinners; 2.8 - Nasidienus' slaves used for display. Juvenal 3 - slaves preparing the bath for a dead master; iron used for chains. Context: slaves were legally property; flogging and chains were normal punishments; the law ordered the execution of a murdered master's household slaves; manumission was common and freedmen could become rich; all the authors are slave-owners or write from the free point of view - slaves' own voices are missing. AO2: Cruel - Macedo; the threat of flogging is everywhere in Trimalchio's house; torturers at a dinner; Encolpius' casual harshness; Pliny's suspicion of slaves as wicked; slaves as possessions in vast numbers. Not cruel - Pliny's kindness to Zosimus and his freedmen; Horace's relaxed affection for his home-born slaves; Trimalchio's rewards and relenting; masters show favour to loyal or talented slaves; the authors criticise cruelty (Macedo is condemned, Trimalchio mocked). Possible judgements: cruelty is real and violence a constant threat, but the texts present kind masters as the ideal and cruelty as a fault; or even the 'kind' masters keep total power, so the relationship is always unequal and potentially cruel.

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