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Intellectual Property Rights As Legal Monopolies
Trade Marks, Copyrights etc
Date : 16/08/2020
Intellectual property rights
as legal monopoliesIntellectual property rights
(IPR) comprise Trade Marks, Copyrights, Patents and design protection, and are
quite poorly covered in A-level economics textbooks. This is surprising as they
comprise a powerful and enduring source of monopoly power which can be related
effectively to monopoly analysis. This short extract seeks to develop the
concept of Trade Marks within IPR.Students of A-level economics frequently
conflate Trade Marks and Copyrights. Trade Marks are defined with the Trade
Marks Act 1994[1] as
any mark or symbol that is capable of being presented graphically. Any Trade
Marks in the EU must meet the strict Sieckmann Criteria[2]
which means they must be clear, precise, self-contained, easily accessible,
intelligible, durable and objective. The self-contained aspect limits the use
to a range of goods or services and the objective aspect has meant that
trade-marking of smells becomes nigh impossible.[3]
Harrods department store attempted to trade mark a green/gold combination
across a wide range of goods[4]
but failed because of a lack of both significance and distinctiveness.In basic terms Trade Marks represent
the combined visual impact of a font and colour within a restricted range of a
good or service best and most easily thought of as a brand. Copyright,
however, covers original, literary, dramatic, musical or artistic works. [5]
The main reason Trade Marks in particular are so desirable is that they can be
renewed in perpetuity (unlike Patents which expire after 20 years). Recent high
profile cases include Nestl s failure to trade mark the 4-fingure chocolate
bar (a similar item has been manufactured in Norway since 1906[6])
and Cadbury s failure to trade mark the purple (Pantone 2865c) for its Dairy
Milk ranges.[7] The KitKat and Cadbury cases
highlight two interesting points. The first is that the item for which a Trade
Mark is being sought must be so distinctive in the eyes of the consumer
(Toblerone s triangle also passes this criterion[8])
such that only that product and brand is associated with it. The second is the
desire to Trade Mark colour which is a highly contentious arena of IPR namely
as it not only precludes competitors from using that colour for any similar
good or service, but creates a barrier to competitors not even to use proximate
colours for fear of infringing the Trade Mark under the guise of passing off.[9]
Large MNCs have well-resourced legal departments and are likely to pursue alleged
transgressors! Despite the difficulties however some colours do have protection[10],
but EU and USA juridical interpretations differ. Christian Louboutin, for
example, managed to secure a trade mark for the red sole shoe contrasting with
a black upper in the USA but this was deemed insufficiently distinctive in the
EU so was not granted a Trade Mark.[11]
The point to note is the extent to which corporations seek to establish a legal
monopoly through the use of Trade Marks to preserve their rent-seeking
capacity. To be continued /[1]
Section 1(1)[2]
Full details at www.worltrademarkreview.com [3]
Though some have tried: the smell of freshly-cut grass and the smell of
newly-opened tennis balls, for example.[4]
Application #2209049[5]
Copyright, Designs and Patents Act 1988 Section 1(1a)[6]
See BBC online report Nestle fail to
trademark four-fingered KitKat shape 17 May 2017[7]
See BBC online report Cadbury loses legal
fight over use of colour purple 4 October 2013[8]
However, presently (August 2017) being contested by Poundland for a lack of
distinctiveness (as it markets its own triangular Twin Peaks chocolate bar).[9]
Illustrative cases in which companies have marketed products too closely to
registeredTrade Marks are at www.worltrademarkreview.com United
Kingdom: perils and powers of passing off[10]
Tiffany for robin s egg blue for its bag range and UPS for Pullman brown for
delivery vehicles, for example (UPS has also Trade Marked a wide range of
proprietary word combinations associated with its service).[11]
Interestingly the judgement was silent on the tone of red. Other fashion
producers still contest the trade mark, see at
This resource was uploaded by: Andrew
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