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Anthropology, Colonialism, And The Archive
Excerpt from my MPhil thesis on the relationships between anthropology, art, and colonialism
Date : 22/10/2012
Author Information
Uploaded by : Alexander
Uploaded on : 22/10/2012
Subject : Anthropology
Post-structural, post-colonial, and post-modern. A second focus on history within the discipline of anthropology, and closer to the focus of this thesis, comes in the 1980s a reflexive turn in anthropology which was to a degree reliant on history and had a strong focus on the world economic system and on the emergence of anthropology within the colonial context. This movement can be seen much earlier than the 1980s with the effects of Asad's (1973) edited volume Anthropology and the Colonial Encounter where he tells anthropologists not to ignore the history of colonialism in the discipline and that colonialism and anthropology emerged at broadly similar times, but were by no means synonymous (as this thesis will go on to suggest). For example, the relationship between colonialism and anthropology is exemplified by books such as African Political Systems (1940), a work by Myer Fortes and Evans-Pritchard which compared state and acephelous African societies for the purposes of better colonial government. But Asad points to some of the contradictions which can be seen in anthropology during the 1930s, 1940s, and 1950s, pointing to anthropologists like Gluckman as an example of how anthropology was able to separate itself from colonialism through perceptive ethnography. Moreover, whilst anthropology helped colonial government, it was not the cause of it and thus anthropologists could work effectively in post-colonial situations. These issues were tied to broader theoretical concerns within anthropology surrounding the so-called crisis of representation - asking whether and how anthropology could represent the Other. Indeed, even ethnohistorical or historically based arguments such as Sahlins's Islands of History (1985) can be understood as being about broader questions of who can speak for whom, and by what means (Borofsky, 1997). It is here that anthropologists begin to study the colonial context as a way of understanding the emergence of the discipline. Wolf (1982) in Europe and the People Without History argues that "...the world of humankind constitutes a manifold, a totality of interconnected processes, and inquiries that disassemble this totality into bits and then fail to reassemble it falsify reality" (Wolf, 1982:1). Wolf uses the concept of the World System to show that the current economic system was created through a series of highly productive satellites becoming increasingly interconnected through a system of emerging global trade. He develops an analytical account of the emergence of particular material relations of capitalist dependence between the capitalist West and 'the rest'. These concepts are viewed as historical processes which is where the strength of Wolf's argument can be found. He encourages people to see the emergence of a system being based on the inter-relation of groups; the five and a half thousand muskets supplied to Gold Coast enriched Birmingham gunsmiths, these weapons combined with the slave trade made and destroyed huge kingdoms in West Africa. Wolf therefore challenges what Pels has called an ontology of spatial discreteness (Pels, 2008:283) where cultures can be neatly bounded into individual groups and not conceived of as connected in any real way. There is, however, a problem with Wolf's account of historical change. Whilst he encourages anthropologists to look at the interrelationship of supposedly isolated groups, the interrelationship is still seen within the realms of Western expansion. In other words, whilst granting the Other a history, he only grants it on European terms of a history viewed through the lens of the world system and European expansion (Said, 1989). Another example of historically engaged anthropology is provided by Sahlins (1985). He extends the structures which Lévi-Strauss identified as crucial to understanding of society as essential to the way in which cultural change is wrought. The structures by which people order their lives do not lead people to the same conclusion, and indeed there can often be a dual nature between the cultural order constituted by the society and that which is lived by the people. Sahlins uses the idea of the structure of the conjuncture to explain how all events are structured (even if they do not seem to be). The structure is an expression of the realisation of cultural categories, in a certain context, expressed by historical agents. In this example the historical situation becomes a field site, such as the arrival of Captain Cook in Hawai'i, and the focus is on the ways in which different groups within a society understood events through cultural logic.
This resource was uploaded by: Alexander