Tutor HuntResources English Resources
Rhizomatic Thought
An essay on `A Thousand Plateaus`
Date : 06/07/2017
Author Information
Uploaded by : Jake
Uploaded on : 06/07/2017
Subject : English
The
rhizome is an antigenealogy. ... The rhizome operates by variation, expansion,
conquest, capture, offshoots (Deleuze and Guattari, A Thousand Plateaus). Discuss how the rhizome operates in Deleuze
and Guattari and link it to one or two of the other texts you have read in
Critical Approaches 2. In
the canon of Western Philosophy, there is a tendency to express meaning and
meaninglessness as a dichotomy: Socrates life is meaningful, a fool s is
meaningless[1].
In Examined Life, Cornell West
encourages the Philosophy of the in-between rather than a quest for meaning
or totality, the appreciation of the journey towards it, though it, of
course, constitutes an impossible goal. This method of thinking is more in line
with the rhizomatic methods as outlined by Gilles Deleuze and Felix Guattari in
A Thousand Plateaus: Capitalism and
Schizophrenia. Life becomes, instead
of a journey from point A, birth, to point B, death, a long middle, a
plateau. However, we must consider to what extent it is possible for humans
to think in such non-linear modes when our thought processes are so limited by
the linear perception of time, which is a necessity of contingent existences
such as our own. As Nietzsche famously argued, it
is a fallacy for humans to consider language a perfect mode of expression for
ideas regarding the chaos of actual life (On
Truth and Lying). The gap between signified and signifier is so large
as to constitute human language essentially meaningless. Our use of linguistic
signs, (Ferdinand de Sassure) the un ion of signified and signifier, encourages
a binary method of thinking, which Deleuze and Guattari compare to a tree, the
image of the world, or the root the image of the world-tree (1456). West
states that Plato was talking primarily about words [signs], whereas I talk
about notes, I talk about tone, I talk about timbre, I talk about rhythms (4:39).
If a word is binary, then a note is rhizomatic. A word relates in an arbitrary
way to what it represents, whereas a note does not claim to claim to represent
anything at all. A note has more depth, more subtlety: a slight change in any
characteristic highlighted by West tone, timbre, rhythm, results in an
array of variation not quite accessible to language. Music is a multiplicity
(Deleuze and Guattari 1456), many voices at once, interacting, playing off each
other. Like the gap between two numbers, there is an infinity of tone between
two notes. Applying this to life: between each event, there is an infinity of
possible meaning, in a rhizomatic sense. [A rhizome is] composed not of units
but of dimensions, or rather, directions in motion (1458). A life, then, if we
are to examine our own (as West encourages us to do), in a rhizomatic mode,
consists not of a sequence of events, but as one totality, one event in itself.
Yet even this is a flawed perception, for it is to ignore the parallel lives that
intersect and offshoot from our own. This encourages us to abandon the
chronological, linear worldview that comes with contingent existence. We are
within time, thus we perceive our lives as a sequence of events and decisions.
Because I was intelligent, I became a lawyer, is a statement that makes
perfect sense, yet to perceive this statement as a truth in itself, a
tautology, is to ignore the array of multiplicities that make this statement
possible. Society s subjective and arbitrary standards of intelligence the
practice of law existing at all, as a result of crime or the need of mediation,
which itself is caused by - what - suffering, happiness, selfishness,
selflessness? Our linear language has no ways of communicating in
multiplicities, thus, within every perceived truth there is contained an
infinity of uncertainties. Human beings are unable to ever gain any monopoly
over Truth capital T. We might have access to truth small t but they are
fallible claims (West 3:13). Of course, the search for Truth, capital T, is a
fallacy, but that is not the point of existence (for existence has no points,
only plateaus). West is more concerned with truth being tied to the way to
truth (2:20). If the eternal Truths of existence are inaccessible to us, the
only meaningful thing, then, is to treasure the mediocrity of truths, small t
embrace the middle ignore beginnings and ends take a taxi to nowhere and
enjoy the ride. Let us, for a moment, make some
leaps within the logic of Physics to illustrate a point: if, before the Big
Bang, time did not exist, or temporarily ceased to exist, then there must be
the possibility of space (or lack of space) that is not affected by the
process of time. The actual existence of this space is irrelevant, but consider
for a moment the possibility of human to existence within this space. Time
would be seen, rather than a sequence of events, as one unfathomably long
event, where everything is always happening, you are simultaneously dead and
alive, young and old, happy and sad (and every emotion you have ever felt and
will ever feel). Thus, time becomes rhizomatic: an infinite conglomerate of
multiplicities, a stream without beginning or end that undermines its banks
and picks up speed in the middle (1462). West tells us Plato says philosophy
is a meditation on and a preparation for death. By death what he means is not
an event, but a death in life, because there is no rebirth, no change, no
transformation, without death (1:10). The enlightened mind, then, is simultaneously
alive and dead, as when viewing time in a non-linear sense. It is in this state
of duality that rhizomatic thought can be fully understood: no longer
restricted by the boundaries of linear thought, by the boundaries of our own
life, we can then see our life for what it is: a body without organs (1455),
each event not isolated, but a fluid mass of thinking, desiring hating,
loving living, dying. An assemblage. We are no longer ourselves. Each will
know his own. We have been aided, inspired, multiplied (1455). West highlights
the Romantic image of time as loss, time as a taker (9:47) because this is
the only logical image of time when thinking in linear modes. Today I have x
days to live, tomorrow I will have x-1, then x-2, and so on until death. We
perceive loss. As an assemblage, though, time is what sustains us. I want to
stress, as well, [the perception of] time as a gift, and time as a giver (West
10:02). Without time, there is no growth (though growth is a linear activity),
no transcendence. Time is our path to nomadism, for how are supposed to be
anything else when we see our life biunivocally, turning to both sides
(1457)? There is no such thing as history, or future. Only Nomadology (1460),
as we drift, lost, our lives suspended by a string between two perpetual wings
of time. Where are you going? Where are you coming from? What are you heading
for? These are totally useless questions (1462). Alive and dead at the same
time, the human mind transcends the limitations of contingent existence to
embrace multiplicities to dive deep down beneath layers of meaning,
discovering our own depth. West asks humanity: why think
you need the whole thing (10:29)? Imperceptible to us, the rest of our lives
provoke within, fear, anxiety. Why worry about something that may have already
happened? We strive for meaning, Truth capital T, when meaninglessness makes
just as much sense. Once you give up on the notion of fully grasping the way
the world is, you re going to talk about: what are the ways in which I can
sustain my quest for truth (West 2:35)? The taxi ride during which West
explains his philosophy is the perfect metaphor: a middle, a transition
insignificant, yet somehow significant, because it is all there is. New York is
built in blocks, but his thought moves diagonally. Music is based upon
stringent rules of harmony: a perfect cadence is a movement from chord V to
chord I within a scale a harmonic minor uses a sharp 7th, a natural
minor uses a natural 7th, and a melodic minor is sharp on the way up
and natural on the way down. Jazz moves diagonally between these rules. It does
not smash them, but takes the best of all the minor scales and creates the Dorian
mode, a new offshoot that sounds crazy but works when played with enough
conviction. You think Charlie Parker s upset because he can t sustain a
harmony? He doesn t care about the harmony, he s trying to ride on the
dissonance (West 8:36). Once our quest to achieve the whole thing (10:29)
inevitably fails, all there is left to do is ride the on the dissonance. Philosophy
[ ] needs to go to school with the musicians (4:54), West asserts. Making
sense of meaninglessness is itself a kind of discipline and achievement
(12:00). Making sense of meaninglessness is the nomadism of those who only
assemble (1461). Assembling notes that do not make harmonic sense, the
nomadism of Jazz. You die without being able to have the whole (West
12:31). The whole is a conception of the verb to be. To be whole, to
achieve self-actualisation, is a fallacy. Why have self-actualization when
you can have actualization, without the limitations of selfhood? To reach,
not the point when one no longer says I, but the point where it is no longer of
any importance whether one says I (1455). The self is the image of the root
tree. Nomadism is the image of the rhizome. We are no longer ourselves,
(1455) we are the existence of the in-between, we are multiplicities, we are
not notes on a scale, but a dissonant chord, we are jazz, we are meaningless.
Not to say that we are not important. Just as there is an infinity of
uncertainty within truth, there is an infinity of meaning within
meaninglessness. Deleuze and Guattari s project in
A Thousand Plateaus could be
summarised as to shatter the linear unity of the word (1457). The line
between signified and signifier is linear. To write at n-1 dimensions (1458)
is rhizomatic. Consider not what meaning can be found in meaningful things, but
what meaning can be found in chaos, the infinite connections between two
unrelated points. Cornell West s segment perhaps does not quite fit perfectly
with the title Examined Life. More
apt would be Examined Existence. Life
implies a degree of self-hood not conductive to finding meaning. When one
forgets the self, when one forgets the verb to be, that is when the true
examination can begin. When Billy Pilgrim is abducted by aliens, he asks:-
Why me?
- That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?
- Yes. Billy, in fact, had a paperweight in his office, which was a blob of polished amber with three ladybugs embedded in it.
- Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why (Vonnegut 55) There is no why, or rather, why concern ourselves with the why when the what is far more interesting? There is no whole, only halves that do not fit together. There is no harmony, only dissonance. Life is not a road down which we slowly drive, but a whole city, cities, countries. Find meaning in chaos, or shatter the linear unity of the word, pick up the many pieces, and make a beautiful collage. Works Cited Deleuze, Giles and F lix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia. The Norton Anthology of Theory and Criticism, 2nd Ed, edited by Vincent B. Leitch. New York: W. W. Norton and co., 2010. Print. pp. 1454-62 Mill, J. S. Utilitarianism. Ed. George Sher. United States: Hackett Publishing, 2001. Print. Nietzsche, Friedrich. On Truth and Lying in a Non-Moral Sense. The Norton Anthology of Theory and Criticism, 2nd Ed, edited by Vincent B. Leitch. New York: W. W. Norton and co., 2010. Print. pp. 764-74Sassure, Ferdinand de. From Course in General Linguistics CH III The Object of Linguistics. The Norton Anthology of Theory and Criticism, 2nd Ed, edited by Vincent B. Leitch. New York: W. W. Norton and co., 2010. Print. pp. 850-66Vonnegut, Kurt. Slaughterhouse 5. London: Vintage Books, 2007. Print. West, Cornell, in Examined Life. Dir. Astra Taylor. Zeitgeist Films, 2008. Film. [1] It is better to be a human being dissatisfied than a pig satisfied better to be Socrates dissatisfied than a fool satisfied (J. S. Mill, Utilitarianism 10)
- That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?
- Yes. Billy, in fact, had a paperweight in his office, which was a blob of polished amber with three ladybugs embedded in it.
- Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why (Vonnegut 55) There is no why, or rather, why concern ourselves with the why when the what is far more interesting? There is no whole, only halves that do not fit together. There is no harmony, only dissonance. Life is not a road down which we slowly drive, but a whole city, cities, countries. Find meaning in chaos, or shatter the linear unity of the word, pick up the many pieces, and make a beautiful collage. Works Cited Deleuze, Giles and F lix Guattari, A Thousand Plateaus: Capitalism and Schizophrenia. The Norton Anthology of Theory and Criticism, 2nd Ed, edited by Vincent B. Leitch. New York: W. W. Norton and co., 2010. Print. pp. 1454-62 Mill, J. S. Utilitarianism. Ed. George Sher. United States: Hackett Publishing, 2001. Print. Nietzsche, Friedrich. On Truth and Lying in a Non-Moral Sense. The Norton Anthology of Theory and Criticism, 2nd Ed, edited by Vincent B. Leitch. New York: W. W. Norton and co., 2010. Print. pp. 764-74Sassure, Ferdinand de. From Course in General Linguistics CH III The Object of Linguistics. The Norton Anthology of Theory and Criticism, 2nd Ed, edited by Vincent B. Leitch. New York: W. W. Norton and co., 2010. Print. pp. 850-66Vonnegut, Kurt. Slaughterhouse 5. London: Vintage Books, 2007. Print. West, Cornell, in Examined Life. Dir. Astra Taylor. Zeitgeist Films, 2008. Film. [1] It is better to be a human being dissatisfied than a pig satisfied better to be Socrates dissatisfied than a fool satisfied (J. S. Mill, Utilitarianism 10)
This resource was uploaded by: Jake