Mary-jane

Singing teacher and vocal coach, helping you to Sing, Speak and Perform at your best. Imagine being more free to express yourself, feeling relaxed and full of energy when you are singing, speaking or performing.
For your voice and vocal ability, your health, pleasure or profession, you are welcome to book a one-to-one lesson with me in [contact detail removed]. Prof.Cert.RAM. Cert.Adv.StudiesRAM. MISM.
Mary-Jane is a Licentiate of the Royal Academy of Music and has a Professional Certificate from the Royal Academy with 11(1) Hons. also the Certificate of Advanced Studies.
She is a member of the British Voice Association, Equity, and the ISM, Incorporated Society of Musicians.
She has been teaching for over twenty years. She has taught at The School of The Science of Acting, as a part time lecturer for the Faculty of Arts Brunel University, and at The City of London School for Girls. She does singing and Voice Workshops with various groups.
In May 2012 she created [contact detail removed]
.
In 2012/13 she was appointed as an Honourary Observer at the Luton and Dunstable ENT Voice Clinic.
Mary-Jane [contact detail removed] Mezzo-soprano toured Spain at sixteen, singing her own composition for voice and string orchestra, also playing cello on the tour.
She studied singing at Guildhall School of Music and Drama, then Royal Academy of Music, winning the Arthur Burcher prize and two scholarships.
She has sung in France, and five cities in Japan with the Ambrosian Opera Chorus. She toured Britain and Northern Ireland, singing chorus, and Rosalinde in Die Fledermaus for the D’Oyly Carte Opera.
Her roles include Carmen in Bizet`s Carmen, Elvira in Don Giovanni, Marcelina in The Marriage of Figaro, Dido in Dido and Aeneas, Santuzza in Cavalleria Rusticana, the Mother in Hansel and Gretal, Azucena in Il Trovatore for Brent Opera, Opera London and Windsor and Eton Opera, Orlovsky in Die Fledermause, the title role in Rossini’s La Cenerentola, Ulrica in Verdi’s Ballo in Maschera, Maddalena in Rigoletto and Martha in Gounod’s Faust.
Future engagements include the role of Agnes in Caritas by Robert Saxton for Olivier award winning company OperaUpClose and Marcellina in the Marriage of Figaro with the same company running from 24th September 2014 through to 8th November and touring in 2015.

Availability: Day, evenings and weekends.

Willing to travel: 3 miles

Experience: Teaching: Mary-Jane LRAM. Prof.Cert.RAM. Cert.Adv.StudiesRAM. MISM.

Mary-Jane is a Licentiate of the Royal Academy of Music and has a Professional Certificate from the Royal Academy with 11(1) Hons. also the Certificate of Advanced Studies.

She is a member of the BVA (British Voice Association), AOTOS (The Association of Teachers of Singing), Equity, ISM (Incorporated Society of Musicians) and VCN (Voice Care Network UK). She is committed to continuing professional development making use of the facilities these memberships provide.

She has been teaching for over twenty years. She has taught at The School of The Science of Acting, as a part time lecturer for the Faculty of Arts Brunel University, and at The City of London School for Girls. She does singing and Voice Workshops with various groups.

In May 2012 she created [contact detail removed]
.

Mary-Jane [contact detail removed]

Mezzo-soprano toured Spain at sixteen, singing her own composition for voice and string orchestra, also playing cello on the tour.

She studied singing at Guildhall School of Music and Drama, then Royal Academy of Music, winning the Arthur Burcher prize and two scholarships.

She has sung in France, and five cities in Japan with the Ambrosian Opera Chorus. She toured Britain and Northern Ireland, singing chorus, and Rosalinde in Die Fledermaus for the D’Oyly Carte Opera.

Her roles include Carmen in Bizet’s Carmen, Elvira in Don Giovanni, Marcelina in The Marriage of Figaro, Dido in Dido and Aeneas, Santuzza in Cavalleria Rusticana, the Mother in Hansel and Gretal, Azucena in Il Trovatore for Brent Opera, Opera London and Windsor and Eton Opera, Orlovsky in Die Fledermause, the title role in Rossini’s La Cenerentola, Ulrica in Verdi’s Ballo in Maschera, Maddalena in Rigoletto and Martha in Gounod’s Faust.

She sang, Marcellina and Don Basilio in the Marriage of Figaro with Olivier award winning company OperaUpClose, six nights per week from 24th September 2014 through to 8th November and toured the UK in 2015 with The Marriage of Figaro. Mary-Jane sings as a soloist in [contact detail removed].


The Marriage of Figaro OperaUpClose “Mary-Jane fruitily-exaggerated Marcellina makes a perfect foil…” The Independent ★;;;;★;;;;★;;;;★;;;;

There’s a charming moment when Mary-Jane, who doubles Marcellina and a gender-bending Basilio, has to effect a knowingly fumbled hat-swap in order to share a scene with her other self. What’s On Stage